| 土家族木雕艺术的形制及其美学风格 |
| |
| 引用本文： | 覃莉,张琼.土家族木雕艺术的形制及其美学风格[J].湖北民族学院学报(自然科学版),2008,26(2):11-15,27. |
| |
| 作者姓名： | 覃莉 张琼 |
| |
| 作者单位： | 湖北民族学院艺术学院 湖北恩施445000(覃莉)，恩施市文化体育局 湖北恩施445000(张琼) |
| |
| 摘 要： | 土家族区域的木雕艺术在改土归流后形成高峰。其木雕种类繁多、工艺精巧、装饰趣味多样,在形成过程中,既采用京派木雕的题材,又吸纳了徽派、潮州木雕的工艺技巧;既有本土文化传统,又有外来因素的影响,使之在长期的传播、接受、融合中,形成了灿烂辉煌、红火热闹的艺术风格。
|
| 关 键 词： | 木雕 形制 风格 土家族 |
| 文章编号： | 1004-941(2008)02-0011-05 |
| 修稿时间： | 2008年1月21日 |
The Aestbetic Styles and Formation of Tujia Woodcut Craft |
| |
| QIN Li,ZHANG Qiong.The Aestbetic Styles and Formation of Tujia Woodcut Craft[J].Journal of Hubei Institute for Nationalities(Philosophy and Social Sciences),2008,26(2):11-15,27. |
| |
| Authors: | QIN Li ZHANG Qiong |
| |
| Abstract: | The woodcut craft in Tujia areas reached its peak after the land reform.With its vasious categories,delicate craft and interesting ornaments,in its formation the woodcut art has both adopted the subject mattter of Beijing school of woodcut and absorbed the craft and techniques of Anhui school and Caozhou school.It has its local traditional culture and foreign influences as well,which has caused it to form a brilliant and prosperous artistic style in the process of dessimination,acceptance and mergence. |
| |
| Keywords: | woodcut formation style Tujia nationality |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
