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| 论成玄英重玄美学思想 | |
| 引用本文： | 李裴. 论成玄英重玄美学思想[J]. 四川大学学报(哲学社会科学版), 2002, 0(2): 140-145 |
| 作者姓名： | 李裴 |
| 作者单位： | 四川大学,宗教学研究所,四川,成都,610064 |
| 摘 要： | 成玄英双遣双非的重玄美学以“空”代“无”,解决了老庄滞“无”在美学思维方式上造成的偏颇,他所构造的重玄妙境作为最高的审美境界、人生境界反映了修道者的终极追求,而圣人的“妙契重玄”更是大道"圆融无碍"之美的具体展现。作为宗教学家,成玄英在他的美育思想中也始终贯彻了重玄之思。重玄美学不仅是对传统道家、道教美学思想的发展创新,对后来道教的发展也产生了深远的影响。 |
| 关 键 词： | 成玄英 重玄美学 道教 |
| 文章编号： | 1006-0766(2002)02-0140-06 |
| 修稿时间： | 2001-11-29 |
The Generality of Cheng Xuanying's Thought of Aesthetics of Two-Fold-Mystery |
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| LI Pei. The Generality of Cheng Xuanying's Thought of Aesthetics of Two-Fold-Mystery[J]. Journal of Sichuan University(Social Science Edition), 2002, 0(2): 140-145 | |
| Authors: | LI Pei |
| Abstract: | The Aesthetics of Two-Fold-Mystery of Cheng Xuanying constr ucts the cumstance of Two-Fold-Mystery,which makes up for the deficiency in the aesthetic thoughts of Taoist school .And as the tiptop aesthetic cumstance and life cumstance,it reflects the believers' ultimate aspiration and the beauty of Tao. As a religious scholar, Cheng Xuanying always impenetrates the thought of Two-Fold-Mystery in the aesthetic nstruction.It not only develops the aesthetic thought of Taoist school and early Taoism,but also influnences late development of Taoism. |
| Keywords: | Cheng Xuanying The Aesthetics of Two-Fold-Mystery Taoism |
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