论迟子建小说中的死亡意识及其表现形式

迟子建小说中死亡意识的变迁，从前期文字中时空灵的“彼岸世界”的迷恋到以死亡作为价值评判标准，从对世俗温情与人性的表现，直至近期将对死亡意义的关照提升到人类族群的整体关照层面。体现出超越个人情感的大爱。三种死亡意识变迁的内里是作者自身精神感受与艺术诉求的冲突与弥合．在经历了一个否定之否定的过程后其艺术诉求的表现达到一个完美的融合。迟子建小说中死亡意识的成因来源于作者独特的生活经历。亦有杂合的宗教意识影响与异域文化的思想浸淫。在艺术表现形态上，迟子建对死亡主题的选择与书写形式表现出对“怀伤之美”的艺术追求与失乐团情怀。

The Awareness on Death in CHI Zi-jian's Novels and Its Manifestations

Evolution of awareness of death in CHI Zi-jian＇s novels, from an obsession with the other side of the world in his earlier works, to the portrait of secular tenderness and human nature using death as the value standard, to his recent concern about the meaning of death and to the concern of the human community, reflects a fraternity that transcends personal emotions. The marrow and pith of the change of the three death consciousnesses is the resuit of conflict and restructuring of the writer＇s process of negation of negation. Chi formed his personal feelings and artistic pursuits, a perfect integration after a death consciousness from his unique experiences, where a diversity of religion and exotic cultures exerted their influences on him. The death angle he chose and the expressions he ten- ded to use reveal his artistic pursuit for the beauty of reminiscence and the complex of lost paradise.