明清四位文论家对情景论的集中探讨

明清文论家谢榛、李渔、王夫之、王国维对情景论予以了集中探讨，其内容主要体现在都深入阐说到情景交融的论题，对其必要性、内在关系、生成机巧、表现特征等作出了深层次的论说；其中，谢榛并对情景交融的适度性、虚拟性论题，李渔等三人则对情景表现的当下性、真实性论题作出了阐说。此外，谢榛对写景追求虚化空灵，李渔对情景的主宾界划，王夫之对情景表现与兴会的联系及写景的具体方式，王国维对情景二体的理论内涵等都分别予以了阐说。他们为古典情景论的不断拓展与深化作出了突出的贡献。

An Integrated Discussion on the Feeling and the Setting by Four Literary Critics in the Ming and the Qing Dynasty

There is an integrated discussion on the feeling and the setting concerning its necessity, inherent relation, production chance and showing characteristics, by Xie Zhen, Li Yu, Wang Fuzi and Wang Guowei, four literatry critics in the Ming and the Qing Dynasty. During the discussion, Xie Zhen gave a speech on the moderation and fictitious feeling and setting integrated harmuniously, while the other three illustrated the atonce and factuality of the feeling and the setting. Furthermore, Xie Zhen, Li Yu, Wang Fuzi and Wang Guowei explained the vacant, the dividing, the relation of sudden inspiration, and the theoretical connotation of the feeling and the setting respectively. They made a great contribution to the development and deepening of the classical feeling and setting.