清代“桐城派”对黄庭坚诗歌的接受——以方东树《昭昧詹言》为中心

清代“桐城派”对注重诗法的黄庭坚一直相当推崇,这集中体现在方东树的《昭昧詹言》中。《昭昧詹言》以古文之法探讨诗歌,注重起承转合、格局布置、虚实详略、字句、音节等写作技巧。基于此,方东树对黄庭坚诗歌颇多推许,集中论评了黄庭坚学杜诗的成就、黄诗拗奇矫健的句法及其大开大合的篇章结构,这在黄庭坚诗歌接受史上独具一格,并深刻影响到后来的“同光体”诗人对黄庭坚诗歌的接受。

The Acceptation of Huang Ting-jian's Poems by Tongcheng School in the Qing Dynasty——Take Fang Dong-shu's Zhao-mei-zhan-yan as the center

The Tongcheng School in Qing Dynasty always held high esteem to Huang Ting-jian who paid much attention to the methods of writing poetry,which was best embodied in Zhao-mei-zhan-yan that probed into poetry with the methods of ancient prose,and attached importance to writing techniques,such as introduction,elucidation of the theme,transition to another viewpoint and summing up,pattern arrangement,appropriate falsehood,truth and details,words and sentences,syllables,and so on.Based on this,Fang Dong-shu praised Huang Ting-jian's poems highly and had a detailed discussion and evaluation of Huang's achievement of learning from Du Fu's poems,unusual and strong sentence structure and the liberal starting and closing.His comments were of a unique style in the history of accepting Huang Ting-jian's poems and deeply influenced the acception of Huang Ting-jian's poems by poets from later school of Tong-guang.