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审美创作主体失落的悲剧——张爱玲个案分析
引用本文:贺玉庆. 审美创作主体失落的悲剧——张爱玲个案分析[J]. 云梦学刊, 2006, 27(3): 95-97
作者姓名:贺玉庆
作者单位:怀化学院,中文系,湖南,怀化,418008
摘    要:审美创作主体是沟通艺术世界和现实世界的"过滤器",在创作过程中其主体作用是极其重要的.张爱玲这一创作主体后期因为没有克服自身内外的矛盾冲突,出现了价值观创作观的左摇右摆,演绎出了审美创作主体失落的悲剧.

关 键 词:创作主体  张爱玲  失落  悲剧
文章编号:1006-6365(2006)03-0095-03
修稿时间:2006-03-05

THE TRAGEDY OF LOSING THE AESTHETIC SUBJECT
HE Yu-qing. THE TRAGEDY OF LOSING THE AESTHETIC SUBJECT[J]. Journal of Yunmeng, 2006, 27(3): 95-97
Authors:HE Yu-qing
Abstract:During the whole process of creating , the aesthetic subject plays a vital role , serving as the filter to communicate the world of art and reality . This paper takes Zhang Ailing as an example and point out that Zhang , as a creative subject , has shown signs of unstable outlooks in both value and creation in the latter half of her writing career ,due to the interior and exterior conflicts that she finds hard to overcome .Zhang's example fits well into the theory of the tragedy of losing aesthetic subject .
Keywords:creative subject  Zhang Ailing  loss  tragedy
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