| 论严歌苓小说的大众化艺术倾向 |
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| 引用本文： | 葛娟.论严歌苓小说的大众化艺术倾向[J].北方论丛,2010(5):33-37. |
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| 作者姓名： | 葛娟 |
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| 作者单位： | 浙江传媒学院,新闻与文化传播学院,浙江,杭州310018 |
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| 摘 要： | 严歌苓在大众文化普及化和具体化时代,其小说创作以市场为导向,在坚持传统的文学审美观念的基础上,凸显大众文化的质素.小说以"快感式叙事"方式突出其故事性,并将故事作视觉化呈现;"电影化的想象"既为文字的小说寻找了附加值,也会使小说趋于平面化;面对消费时代的物质化和视觉化现象,严歌苓无法回避女性书写被大众文化"催眠"的效应;而小说的历史感表明了严歌苓以历史文化消费者态度对历史的观照和书写策略.严歌苓作品所昭示的日渐稀缺的理想主义精神品质,正是精英文化与大众文化的联系和融合的体现.
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| 关 键 词： | 大众化 快感 视觉化 女性书写 历史感 |
On the mass-culture inclination of Yan Geling's novels |
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| GE Juan.On the mass-culture inclination of Yan Geling's novels[J].The Northern Forum,2010(5):33-37. |
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| Authors: | GE Juan |
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| Institution: | GE Juan(Zhejiang University Media , Communication,Journalism , Culture Communication School,Zhejiang Hangzhou 310018) |
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| Abstract: | In the age of the mass culture has already been widespread and specific,Yan's novels are market-oriented and adhere to the traditional aesthetic value,which fully reflects the factors of mass culture.Through the pleasure-narrative style Yan highlights the narrative of the novel and visualize the narrative.The cinematic imagination not only put the added value to Yan's novels but also makes the novels tend to be planar.Facing the phenomenon of materialism and visualization in the consumer age,Yan could not a... |
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| Keywords: | mass culture pleasure visualization feminine writing the sense of history |
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