| 文化冲突与元杂剧中妓女形象的突变 |
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| 引用本文： | 王传明.文化冲突与元杂剧中妓女形象的突变[J].山东师范大学学报(人文社会科学版),2011(1):51-55. |
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| 作者姓名： | 王传明 |
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| 作者单位： | 长江师范学院文学与新闻学院; |
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| 摘 要： | 元代爱情剧与家庭生活剧中的妓女形象存在歧异,源于当时社会的文化冲突.爱情剧中美好的妓女形象体现出商业文化和游牧文化对传统观念和传统爱情模式的冲击,文人适应市民的欣赏口味,美化妓女成风.而回到更为现实的家庭生活剧中,文人更自觉地维护农耕文化需要的稳定家庭结构,于是妓女形象在他们笔下“原形毕露”.
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| 关 键 词： | 元杂剧 妓女形象 歧异 文化冲突 |
Cultural Conflicts and the Mutation of the Prostitute Figures in the Musical Poetic Drama during the Yuan Dynasty |
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| Wang Chuanming.Cultural Conflicts and the Mutation of the Prostitute Figures in the Musical Poetic Drama during the Yuan Dynasty[J].Journal of Shandong Teachers' University(Social Science Edition),2011(1):51-55. |
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| Authors: | Wang Chuanming |
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| Institution: | Wang Chuanming(School of Literature and Journalism,Yangtze Teachers' Institute,Chongqing,408100) |
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| Abstract: | The reason why the prostitute characters in love drama are different from those in family life drama during the Yuan Dynasty lies in the different cultural conflicts in the then society.Those of the former materialize the impingement on traditional ideas and traditional love modal by commercial and nomadic culture.That is,It became a common practice for the playwrights to beautify the prostitutes in their works for the sake of catering for the townsfolk's taste.Yet,as soon as family life is concerned,they n... |
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| Keywords: | Musical Poetic Drama during the Yuan Dynasty prostitute figures(characters) different cultural conflicts |
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