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中国初期象征主义诗歌的意象表现手法
引用本文:范兰德.中国初期象征主义诗歌的意象表现手法[J].广州大学学报(社会科学版),2008,7(11):66-70.
作者姓名:范兰德
作者单位:广州城市职业学院人文学院,广东,广州,510300
摘    要:中国初期象征主义诗人将中国诗歌表达方式由意境的审美观照转向意象观照。在意象内涵表现上,中国初期象征主义诗人采用现代象征主体性意象的表现手法创造了象征化的“死亡枯败”意象、“荒原”意象、“黄昏”意象等意象群以证合现代人的主体意识及精神状态。在意象营构上,他们“随意造象”,并用象征主义的通感手段与意象的连接手段构造主体意象,从而使新诗意象具有玄秘性、变异性特征。

关 键 词:新诗  象征主义  意象  表现手法

On the Image Expression Techniques of the Early Chinese Poetry Symbolism
FAN Lan-de.On the Image Expression Techniques of the Early Chinese Poetry Symbolism[J].Journal of Guangzhou University(Social Science Edition),2008,7(11):66-70.
Authors:FAN Lan-de
Institution:FAN Lande ( School of Humanities, Guangzhou City Polytechnic, Guangzhou, Guangdong, 510405, China)
Abstract:The early Chinese poets of symbolism changed the Chinese poetry expression techniques from aesthetics to images on the artistic conception.On the expression of image connotation,the early Chinese poets of symbolism adopted the expression means of modern symbolic subject images and created the symbolic images groups such as "death and dullness","wilderness" and "dusk" to explain the modern subject senses and mental conditions.On the creation of the images,they made images at will to construct subject images by using the synaesthesia of symbolism and the image combination to make the new poems' images mysterious and variant.
Keywords:new poems  symbolism  image  expression means  
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