| 叙事成规:金圣叹的"文法"理论 |
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| 引用本文： | 吴子林.叙事成规:金圣叹的"文法"理论[J].河北学刊,2006,26(5):142-147. |
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| 作者姓名： | 吴子林 |
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| 作者单位： | 中国社会科学院,文学研究所,北京,100732 |
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| 摘 要： | 金圣叹在评点《水浒传》的过程中,从叙述结构、叙述节奏、叙述观点等方面,总结出了小说叙事的诸多“文法”,这些“叙事成规”与当代叙事学理论有一定的相通之处,它们的提出大大丰富了人们对小说叙事艺术独立性、自足性的认识,是建构中国叙事学理论可资借鉴的本土资源。
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| 关 键 词： | 文法 叙述结构 叙述节奏 叙述观点 叙事成规 |
| 文章编号： | 1003-7071(2006)05-0142-06 |
| 修稿时间： | 2006年6月8日 |
Narration Rules: Jin Sheng-tan's Theory of "Literary Writing" |
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| WU Zi-lin.Narration Rules: Jin Sheng-tan''''s Theory of "Literary Writing"[J].Hebei Academic Journal,2006,26(5):142-147. |
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| Authors: | WU Zi-lin |
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| Abstract: | In the course of commenting on the Chinese famous novel Water Margin, Jin Sheng-tan sums up many narration rules of "literary writing" from the perspectives of narration structure, rhythm, views and others, which can communicate with modern narration theory. These rules, rooted in Chinese novel, enrich narration art of novel and are also the resources of creating China's narration theory. |
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| Keywords: | literary writing narration structure narration rhythm narration views narration rules |
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