论1950——1960年中国文学中的知识分子叙述者

20世纪50、60年代,通过思想改造,绝大多数的知识分子作家已经自觉地将文学作品中的主人公规定为工农兵人物,然而,对于权威意识形态既定的审美叙事成规,当代知识分子依然有所思考,有所"论争"。20世纪50、60年代,现代中国知识分子所秉承的"五四"启蒙精神在审美领域内并不是处于彻底的"断裂"状态,即使以塑造工农兵人物为主,红色经典等许多优秀作品同样体现着知识分子的社会关怀、审美理念和审美趣味。在工农兵人物的塑造方面,知识分子叙述者的启蒙姿态并未消失。一直到"文革文艺"的全面展开,知识分子叙述者才被迫从审美领域中完全退场,"五四"以来的"人的文学"最终被"神的文艺"全面代替。

On the intellectual narrators of Chinese literature in the 1950s-1960s

In the 1950s and 1960s, after ideological remoulding, most intellectual writers consciously made characters of worker-peasant-soldier in their literary works .However, referred to the aesthetic narration set by the authoritative ideology , the contemporary intellectuals still have something to think, still have something to "controvert ". In the 1950s and 1960s, the May Fourth Movement inherited by the contemporary Chinese intellectuals was not in the thorough "rupturing" state in the aesthetic field. And even a lot of excellent works like Red Classics which are relied mainly on moulding the worker-peasant-soldier characters reflected the intellectual's showing loving care for society , aesthetic idea and aesthetic interest.