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略论影像与情节、叙事的关系
引用本文:刘宏球.略论影像与情节、叙事的关系[J].浙江师范大学学报(社会科学版),2000(6).
作者姓名:刘宏球
作者单位:浙江师范大学人文学院!浙江金华321004
摘    要:电影需要故事 ,不应在“淡化情节”的喧嚣中迷失电影的本性。电影的历史和现状说明 :真正能够赢得观众的是有故事情节的电影 ,先锋电影有其重大贡献但难以获得普通观众的认可 ;影像与叙事必须统一 ,影像是电影的本性 ,却以叙事作为存在的条件 ;观众接受的深层心理原因是获得替代性满足 ,电影情节是被强化、突出和主观解释的生活过程 ,因而充满吸引力

关 键 词:先锋电影  影像  叙事  接受  白日梦  替代性满足

Some Thoughts on Interrelations of Image,Plot and Narration
LIU,Hong,qiu.Some Thoughts on Interrelations of Image,Plot and Narration[J].Journal of Zhejiang Normal University:Social Sciences,2000(6).
Authors:LIU  Hong  qiu
Abstract:A film does need a story and should not lose its nature in the clamor of "making the film's plot fade".The film's history and status quo prove that a film that can really win audience is one that is interesting and has a plot.Pioneer films have made their own important contributions, but cannot win the approval from the audience. The images and narration must be unified. Images are the nature of a film; however, they must have narration as the condition of their existence. The deep psychological reason of audience acceptance of a film is the obtaining of substitute satisfaction. A film's plot is a life process that is intensified, made outstanding, and subjectively explained, this being very attractive.
Keywords:Pioneer Films  Film Images  Narration  Acceptance  Day  time Dreams  Substitute Satisfactio
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