| 诗学理论从“意象”到“意境”的发展 |
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| 引用本文： | 张中成. 诗学理论从“意象”到“意境”的发展[J]. 吉林师范大学学报, 2005, 33(5): 64-66 |
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| 作者姓名： | 张中成 |
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| 作者单位： | 张中成（盐城工学院,人文学院,江苏,盐城,224003） |
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| 摘 要： | 意象和意境是古典诗学理论两个重要的审美范畴.从发展角度看,先有意象后有意境;从审美差异看,意境丰富和发展了意象的审美内涵,成为批评的重要标准之一.
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| 关 键 词： | 意象 意境 发展 审美 差异 |
| 文章编号： | 1007-5674(2005)05-0064-03 |
| 修稿时间： | 2005-06-27 |
Development from Image to Imagination in the Poetic Theory |
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| ZHANG Zhong-cheng. Development from Image to Imagination in the Poetic Theory[J]. Jilin Normal University JOurnal:Humanities & Social Science Edition, 2005, 33(5): 64-66 |
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| Authors: | ZHANG Zhong-cheng |
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| Abstract: | In terms of sequence,image goes before imagination and in terms of difference in aesthetic appreciationimagination enriches and extends the connotation of image and thus become a main norm of criticism. |
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| Keywords: | image imagination development aesthetic appreciation difference |
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