| 论《古赋辨体》出现的原因 |
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| 引用本文： | 李新宇.论《古赋辨体》出现的原因[J].山西大学学报(哲学社会科学版),2005,28(4):53-56. |
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| 作者姓名： | 李新宇 |
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| 作者单位： | 南京大学,中文系,江苏,南京,210093 |
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| 摘 要： | 《古赋辨体》是赋学研究中值得关注的一个点,它的出现是对前代律赋、文赋弊端的反驳,是配合元代科举制度为试子取法的圭臬,也是赋体自身发展的一个理论性总结。总之,它以"真情"为尊,以"六义"为法,以"祖骚宗汉"为口号,不仅对于前代赋体的正变源流多有真知灼见,而且开启了元、明、清赋学研究中一次规模宏大、纵贯三代的以复古为主流的尊体、辨体思潮。
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| 关 键 词： | 祝尧 《古赋辨体》 真情 赋体 |
| 文章编号： | 1000-5935(2005)04-0053-04 |
| 修稿时间： | 2005年5月12日 |
On the Reasons for the Appearance of Gu Fu Bian Ti |
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| LI Xin-yu.On the Reasons for the Appearance of Gu Fu Bian Ti[J].Journal of Shanxi University(Philosophy and Social Sciences Edition),2005,28(4):53-56. |
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| Authors: | LI Xin-yu |
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| Abstract: | Gu Fu Bian Ti is worthy of concern in the history of Fu research. Its emergence is the refutation to the shortcoming of Lu fu and Wen fu. It is the criterion to Yuan's examinees and also the theoretical summarization of Fu development. In a word, it advocates true feelings,follows Liu Yi and uses learning Sao and Han Fu as a slogan. Not only do we understand Fu headstream better, but also it drives a large-scale thought of returning to the ancients in Yuan, Ming and Qing Dynasties. |
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| Keywords: | Zhu Yao Gu Fu Bian Ti true feelings Fu style |
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