浅谈宋代元夕恋情词抒情主体的转型

＂男子作闺音＂是唐宋词发展历程中凸现的一种畸形的文学现象。而宋代元夕恋情词,则为我们打开了全新的视野,男性词人笔端流露的不再局限于女性的哀怨与叹息,他们更以＂男性话语＂昭示着自我的高傲与尊严。用平淡语写浓情,用端直语写缠绵,在一定层面上实现了＂作妇人语＂向＂男性话语＂的转型。

Lantern Festival Poetry of the Song Dynasty: A Study on the Changed Subjects of Poetic Expression

A male poet expressing his emotions in a female-like way is an abnormal phenomena of literature in the development of poetry of the Tang and Song Dynasties.However,the Lantern Festival Poetry of the Song Dynasty opens a new and different horizon for us.In their poems,male poets are no longer restricted to express their emotions with moans and sighs like females;they show their conceit and self dignity by male discourse.Expressing their deep feeling with the plain language and revealing the lingering of love and hatred with a direct tone,male poets change the lyric subject of the Lantern Festival Poetry of the Song Dynasty from female voice to male discourse to some extent.