| 从银幕到文本解构《欲望号街车》的两重性 |
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| 引用本文： | 龚丽英.从银幕到文本解构《欲望号街车》的两重性[J].天津大学学报(社会科学版),2004,6(2):114-118. |
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| 作者姓名： | 龚丽英 |
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| 作者单位： | 天津大学社会科学与外国语学院,天津,300072 |
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| 摘 要： | 《欲望号街车》的两个电影版本对原著的创作内涵做了截然不同的诠释。从比较两个电影版本改编的逻辑性入手,应用接受美学理论、知觉概念,对文本的叙述结构、人物性格及心理特征进行了分析,从而解构作品的两重性,从一个新的视点展示了成就这部伟大作品的原因。
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| 关 键 词： | 田纳西·威廉斯 接受美学 两重性 知觉 《欲望号街车》 布兰奇·杜波依斯 斯坦利·考沃斯基 |
| 文章编号： | 1008-4339(2004)02-0114-05 |
| 修稿时间： | 2003年5月15日 |
De-structure Dualism in A Streetcar Named Desire from Screen to Text |
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| GONG Li-ying.De-structure Dualism in A Streetcar Named Desire from Screen to Text[J].Journal of Tianjin University(Social Sciences),2004,6(2):114-118. |
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| Authors: | GONG Li-ying |
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| Abstract: | As the two cinematic versions of A Streetcar Named Desire indicate, readers find themselves inevitably captured in a dilemma in interpreting the profound meaning the writer tries to convey. This paper applies aesthetic response and concept of perception to de-structure dualism in the narrative structure, characterization and psychology of the characters. Thereby its artistic accomplishment is manifested in a new light. |
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| Keywords: | Tennessee Williams aesthetic response dualism perception A Streetcar Named Desire Blanche Dubois Stanley Kowalski |
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