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新时期以来“文革”影像书写的艺术风格研究
引用本文:崔晶. 新时期以来“文革”影像书写的艺术风格研究[J]. 成都大学学报(社会科学), 2011, 0(3): 57-61
作者姓名:崔晶
作者单位:南京师范大学文学院,江苏南京210097
摘    要:新时期以来,"文革"影像书写的艺术风格异彩纷呈,融合了中国几代导演的影像探索与追求。电影里巧妙地运用了蒙太奇技巧,并分别营造出流动的情绪诗境、史诗风格的情境和超然的光色意境,导演将独特而深刻的思想内涵寄寓其中。一定程度上,"文革"影像多元化的诗意风格以及别具匠心的蒙太奇技巧,都彰显出中国传统艺术含蓄美的特征,使"文革"历史的反思意境深远,极其耐人寻味。

关 键 词:“文革”影像  诗意风格  修辞意义  声画对位

Research on the Poetic Style of Cultural Revolution Images since the New Period
Cui Jing. Research on the Poetic Style of Cultural Revolution Images since the New Period[J]. Journal of Chengdu University (Social Science), 2011, 0(3): 57-61
Authors:Cui Jing
Affiliation:Cui Jing(School of Literature,Nanjing Normal University,Nanjing 210097,China)
Abstract:Since the new period,artistic styles of the Cultural Revolution images are various as they fuse several generations of Director's exploration and pursuit of images.The films skillfully use Montage technique,and respectively create the emotion-flowing style,contexts of epic style and transcendent light and color artistic conceptions,in which directors express their unique and profound ideological contents.To a certain extent,both of multiple poetic styles and original Montage technique of Cultural Revolution images reveal the Chinese traditional art characteristics of implicative beauty,constituting an intriguing and profound artistic conception to rethink the Cultural Revolution.
Keywords:
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