| 本雅明的传统艺术与现代艺术比较研究 |
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| 引用本文： | 肖明华,陶水平. 本雅明的传统艺术与现代艺术比较研究[J]. 重庆邮电学院学报(社会科学版), 2005, 17(1): 122-126 |
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| 作者姓名： | 肖明华 陶水平 |
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| 作者单位： | 江西师大文学院 江西南昌330027(肖明华)，江西师大文学院 江西南昌330027(陶水平) |
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| 摘 要： | 在通读本雅明的《德国悲剧的起源》、《机械复制时代的艺术作品》、《发达资本主义时代的抒情诗人》等著述的基础上,梳理了本雅明两次艺术比较研究的理路,并对寓言与象征、灵韵与震惊等一系列解读传统艺术与现代艺术,甚至后现代艺术的钥匙式的美学范畴进行了勘定。
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| 关 键 词： | 本雅明 传统艺术 现代艺术 比较研究 |
| 文章编号： | 1009-1289(2005)01-0122-05 |
| 修稿时间： | 2004-06-28 |
Benjamin''''s Comparative Study of Traditional Art and Modern Art |
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| XIAO Ming-hua,TAO Shui-ping. Benjamin''''s Comparative Study of Traditional Art and Modern Art[J]. Journal of Chongqing University of Posts and Telecommunications(Social Science Edition), 2005, 17(1): 122-126 |
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| Authors: | XIAO Ming-hua TAO Shui-ping |
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| Abstract: | After reading through books such as the Origin of German Tragic Dramma, The Work of Art in the Age of Mechanical Reproduction, and Charles Baudelaire: A lyric Poet in the Era of High Capitalism, the authors comb the thinking of Benjamins' two comparative studies of arts. They also survey a series of key aesthetics categories which make people understand traditional, modern, or even post-modern art, such as fable, symbol, etherealness and astonishment. |
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| Keywords: | Benjamin traditional art modern art comparative study |
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