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浅论当下艺术语言的异化与回归
引用本文:赵亮. 浅论当下艺术语言的异化与回归[J]. 东北大学学报(社会科学版), 2009, 11(1): 85-89
作者姓名:赵亮
作者单位:浙江大学传媒与国际文化学院,浙江杭州,310027
摘    要:当下,无论是在艺术实践或是在艺术理论当中,艺术的本体论地位与意义均面临丧失,艺术的各个基本维度正被逐渐边缘化,甚至彻底取消,这些情况主要可归结为艺术语言对艺术的异化.问题具体出在两个方面,一是从强调艺术语言的差异走入了丧失其差异性的死胡同,一是艺术语言在同其所处语境的碰撞当中逐渐脱离了艺术化轨道.当代美学及艺术哲学界具有代表性的两个人物——约翰·凯里和阿瑟·丹托著作中的观点和理论,对这些问题均有所反映.而解决问题的关键则在于,从强调艺术同生活的联系入手,使艺术完成对生活本身的回归及其对自身的重构,并使艺术逐步摆脱哲学及理论思潮的统辖与束缚,这一切,同时也将成为艺术超越当下、走向未来的必由之路.

关 键 词:艺术语言  异化  归化

On the Dissimilation and Regression of Contemporary Literary/Artistic Language
ZHAO Liang. On the Dissimilation and Regression of Contemporary Literary/Artistic Language[J]. Journal of Northeastern University(Social Science), 2009, 11(1): 85-89
Authors:ZHAO Liang
Affiliation:College of Communication and International Cultures;Zhejiang University;Hangzhou 310027;China
Abstract:Nowadays the status and significance of the ontology of literature/art is coming to disappear in both practice and theory,with all the relevant basic dimensions being gradually marginalized even cancelled thoroughly.The current situation may be attributed mainly to the dissimilation of the literary/artistic language form of representation from the literature/art itself.The problem is actually due to the two facts.One is that the difference between the literary/artistic languages is overemphasized insomuch...
Keywords:literary/artistic language  dissimilation  regression  
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