| 声律:汉语言文学的听觉美感 |
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| 引用本文： | 辛刚国.声律:汉语言文学的听觉美感[J].聊城大学学报(社会科学版),2004(4):5-9. |
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| 作者姓名： | 辛刚国 |
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| 作者单位： | 聊城大学文学院,山东,聊城,252059 |
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| 摘 要： | 中国人对汉语音调之美的把握经历了一个从模糊朦胧到自觉清晰的过程。六朝时期 ,“四声”的发现及其在创作中的尝试应用 ,诞生了声律论 ,标志着这一过程的完成。声律论强调五言诗的创作要凸显语言声调的规律变化。从深层意义上讲 ,这一理论暗合了中华民族崇尚和谐的美学精神
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| 关 键 词： | 四声 八病 声律 平仄 永明体 和谐 |
| 文章编号： | 1672-1217(2004)04-0005-05 |
| 修稿时间： | 2003年6月23日 |
Sound Rate:Acoustic Sense of Beauty about Chinese Language and Literature |
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| by XIN Gang-guo.Sound Rate:Acoustic Sense of Beauty about Chinese Language and Literature[J].Journal of Liancheng University:Social Sciences Edition,2004(4):5-9. |
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| Authors: | by XIN Gang-guo |
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| Institution: | by XIN Gang-guo |
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| Abstract: | It has been a long process for the Chinese to understand the beauty of Chinese tones, from vagueness to clearness. The discovery and application of the four tones of classical Chinese phonetics resulted in the Sound Theory, which was put forward during the Six Dynasties. The Sound Theory emphasizes regular changes of tones while people writing five-character-a-line poems, thus reflecting the aesthetic spirit, which advocates harmony, of Chinese nationality. |
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| Keywords: | the four tones of classical Chinese phonetics babing sound rate tonal patterns in classical Chinese poetry yongming style harmony |
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