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刘勰《文心雕龙》"阴阳惨舒"说与中国"绿色"文论的起点
引用本文:童庆炳.刘勰《文心雕龙》"阴阳惨舒"说与中国"绿色"文论的起点[J].江汉大学学报(人文科学版),2005,24(6):5-9.
作者姓名:童庆炳
作者单位:北京师范大学,文艺学研究中心,北京,100875
摘    要:用现代观点诠释刘勰《文心雕龙.物色》篇。不同意认为《物色》篇位置排列“有误”的观点,认为目前的《物色》篇的位置暗含了社会与自然并列的思想。《物色》篇提出的“阴阳惨舒”说揭示了人的心理世界与自然世界的“同构对应”和“物我交感”,也说明了自然景物是文学本原之一。本文认为“阴阳惨舒”说、“联类不穷”说和“情往似赠”说等三说,可以看成中国古代“绿色”文论的起点。

关 键 词:刘勰  《文心雕龙》  “阴阳惨舒”  “绿色”文论
文章编号:1006-6152(2005)06-0005-05
修稿时间:2005年9月20日

Doctrine of "Yin and Yang, Dismal and Cheerful" in Wu Se(Expression of Natural Images) of Liu Xie's The Literary Mind and the Carving of the Dragon and Starting Point of "Green" Literary Review in China
TONG Qing-bing.Doctrine of "Yin and Yang, Dismal and Cheerful" in Wu Se(Expression of Natural Images) of Liu Xie''''s The Literary Mind and the Carving of the Dragon and Starting Point of "Green" Literary Review in China[J].Journal of Wuhan Institute of Education,2005,24(6):5-9.
Authors:TONG Qing-bing
Abstract:The annotation of the piece of writing of Wu Se in Liu(Xie's) The Literary Mind and the Carving of the Dragon in the modern view disagrees with the view that there "exists an error" in Wu Se's positional layout;it holds the view that the present position of Wu Se implies the idea of juxtaposition between nature and society.The doctrine of "yin and yang,dismal and cheerful" put forth by Wu Se reveals and "isostructural correspondence" and the "sympathy of object and self" between the human psychological world and that of the nature;it also shows that natural scenery is one of the origins of literature.The present article holds that the 3 doctrines of "yin and yang,dismal and cheerful","endless succession" and "sympathetic presents" can be taken as the starting point of "green" literary review in ancient China.
Keywords:Liu Xie's The Literary Mind and the Carving of the Dragon  "yin and yang  dismal and cheerful"  "green" literature  
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