东汉都邑赋之崛起及结构特征

西汉的城市建设起步较晚,直到汉武帝时长安城才基本建成,且以皇家宫殿和园林为主,因而西汉的赋家还没有建立起以都邑为审美对象的观念。由于城市建设的发展和东汉初期发生的建都长安、洛阳之争,使得都邑进入了文学家的创作视野,因而产生了一批重大作品。这些作品不但在结构和表现手法上对西汉大赋有所继承和发扬,而且在内容和风格上也有空前的突破,把汉大赋的创作推向新的高峰。

The Emergence of Fu on the Capital in East Han Dynasty and Its Structure Features

Fu on capital didn't appear until the establishment of Chang'an city,the capital in Emperor Hanwudi's times which focused on building royal palaces and gardens.Due to the rapid development of city construction as well as the argument about the choice of the capital between Chang'an and Luoyang,the capital came into view of librarians and a group of great Fu works on capital were created.These Fu works not only carried forward the structure and ways of expression in west Han Dynasty but made unprecedented breakthrough in both contents and styles,thus reaching the highest peak of Fu in west Han Dynasty.