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| 戴着镣铐的舞蹈——浅谈《孽子》与《活着》的命运悲剧意识 | |
| 引用本文： | 王宁. 戴着镣铐的舞蹈——浅谈《孽子》与《活着》的命运悲剧意识[J]. 淮海工学院学报(社会科学版), 2011, 9(5): 63-65. DOI: 10.3969/j.issn.1008-3499.2011.05.020 |
| 作者姓名： | 王宁 |
| 作者单位： | 徐州师范大学,文学院,江苏,徐州,221116 |
| 摘 要： | 通过对白先勇的《孽子》和余华的《活着》这两篇小说的比较分析，认为前者是先天的生理属性影响着主人翁，使其被主流的父权社会所排斥，后者是时代背景中无力扭转的命运悲剧在作祟。二者相较，蕴含其中的是浓重的命运悲剧意识。 |
| 关 键 词： | 悲剧意识 命运 《孽子》 《活着》 |
Dance with Fetters:Tragic Awareness in Heel and Alive |
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| GU Lin. Dance with Fetters:Tragic Awareness in Heel and Alive[J]. Journal of Huaihai Institute of Technology, 2011, 9(5): 63-65. DOI: 10.3969/j.issn.1008-3499.2011.05.020 | |
| Authors: | GU Lin |
| Affiliation: | WANG Ning (School of Literature,Xuzhou Normal University,Xuzhou 221116,China) |
| Abstract: | This paper makes a comparative study on the Heel by Bai Xianyong and Alive by Yu Hua.The protagonist in the former was rejected by the mainstream patriarchal society for his inborn biological reasons,while the latter reflects the tragedy of fate against the time that the protagonist lived in.Both of them contain a thick tragic awareness of fate. |
| Keywords: | tragic awareness fate Heel Alive |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ | |