《诗经》音乐结构探微

《诗经》是中国古代音乐史上第一部音乐著作。从"音乐学"角度入手,在借鉴前人研究成果的基础上,综合运用各种理论研究方法,对《诗经》的音乐结构特点及其成因进行初步的探索,可以得出以下结论:《诗经》句式以四言齐言为基本句式,兼有从二言至九言不等的长短句,主要是由《诗经》音乐的物质性因素、长短句与齐言的协调配合因素以及抒情性因素所决定的;《诗经》以三段体为主要格式,其形成与《诗经》本身的音乐性有紧密的关系;《诗经》的曲式可重新归纳为同一曲调反复、主附结构、主副歌体、联缀体四大类十种曲式。

Probe into Musical Structure of "The Book of Odes"

"The Book of Odes" is the first musical works in the ancient Chinese history of music.From the prospect of musicology,on the basis of previous research achievements and by using comprehensive theoretical research methods,the preliminary probe into the characteristics of its musical structure and cause of formation results in the following conclusion: "The Book of Odes" takes the basic sentence structure of four syllables,while there are variations of two to nine syllables,mainly decided by the material factors of the music,the sentence variation in harmony with the basic formation,and the factor of lyricism.The major format of "The Book of Odes" is in three stanzas,whose formation is closely related to its own musicality.The musical forms in "The Book of Odes" can be re-analyzed into four categories: repetition of the same tune,main tune plus auxiliary part,main tune plus refrain,and combination style.The categories consist of ten musical forms.