| 两极交汇的张力——论中国第六代电影的叙事风格 |
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| 引用本文： | 岳晓英.两极交汇的张力——论中国第六代电影的叙事风格[J].唐都学刊,2006,22(6):99-103. |
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| 作者姓名： | 岳晓英 |
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| 作者单位： | 复旦大学,中文系,上海,200433 |
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| 摘 要： | 中国第六代电影在叙事风格上呈现为诗意而又残酷、纪实而又魔幻、客观而又热情的两极交汇,这种撕裂感和矛盾性根源于第六代电影人自身文化定位的两难,也反映了当下中国文化深层次的紧张和选择的艰难。
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| 关 键 词： | 叙事风格 第六代电影 当代中国文化 |
| 文章编号： | 1001-0300(2006)06-0099-05 |
| 修稿时间： | 2006年10月20 |
The Combination of Two Extremes——On the Narration Style of Films of the 6th Generation |
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| YUE Xiao-ying.The Combination of Two Extremes——On the Narration Style of Films of the 6th Generation[J].Tangdu Journal,2006,22(6):99-103. |
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| Authors: | YUE Xiao-ying |
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| Abstract: | The films of the 6~(th) generation is poetic but cruel,practical but fantastic,objective but enthusiastic in narration style which is a combination of two extremes.The conflicting extremes indicate the dilemma of both film men of the 6~(th) generation in cultural orientation and Chinese contemporary culture. |
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| Keywords: | narration style films of the 6~(th) generation Chinese contemporary culture |
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