| 论《长生殿》、《桃花扇》在古代历史剧创作中的典范意义 |
| |
| 引用本文： | 伏涤修. 论《长生殿》、《桃花扇》在古代历史剧创作中的典范意义[J]. 同济大学学报(社会科学版), 2005, 16(3): 107-113 |
| |
| 作者姓名： | 伏涤修 |
| |
| 作者单位： | 南京大学,中文系,南京,210093 |
| |
| 摘 要： | 《长生殿》与《桃花扇》在处理历史素材时所遵循的主导原则是不同的,前者是史为戏用,以剧统史;而后者是以史统戏,以剧述史。不过虽然两剧作者对待史实的态度即曲史观有异,但是他们都追求历史真实感和艺术真实感的交融统一。作为历史剧,《长生殿》与《桃花扇》的创作模式明显好于有违史实的翻案戏,这两部剧作代表了我国古代历史剧创作的两种主导范式。
|
| 关 键 词： | 《长生殿》 《桃花扇》 历史剧 创作模式 |
| 文章编号： | 1009-3060(2005)03-0107-07 |
| 修稿时间： | 2005-04-05 |
On The Model Significance of The Palace of Eternal Life and The Peach Blossom Fan in the Creative Patterns of Historical Plays |
| |
| FU Di-xiu. On The Model Significance of The Palace of Eternal Life and The Peach Blossom Fan in the Creative Patterns of Historical Plays[J]. Journal of Tongji University(Social Science Section), 2005, 16(3): 107-113 |
| |
| Authors: | FU Di-xiu |
| |
| Abstract: | The dominant principle between The Palace of Eternal Life and The Peac h Blossom Fan was different because the former adhered to that historical data s hould obey plot of a play but the latter held that scenario should express the a uthor's historical views. Even if Hong Sheng and Kong Shangren had different vie ws on the relationship of history and opera, their dramas were greatly successfu l because they had sense of reality in history and artistic attainment. As histo rical plays, the creative patterns of The Palace of Eternal Life and The P each Blossom Fan were better than representing operas and they stood for the t wo dominant patterns of Chinese historical operas. |
| |
| Keywords: | The Palace of Eternal Life The Peach Blossom Fan Historical Play Creative Pattern |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
