| 论《女神》的现代性特征 |
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| 引用本文： | 彭玉斌. 论《女神》的现代性特征[J]. 渝西学院学报(社会科学版), 2002, 1(4): 90-97 |
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| 作者姓名： | 彭玉斌 |
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| 作者单位： | 重庆师范学院中文系 重庆 400047 |
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| 摘 要： | 将现代性引入20世纪中国文学研究,无疑使文学获得了一个全新的阐释角度,同时也给文学研究提供了一个广阔的阐释空间。本文试图在"现代性"参考框架下,重读《女神》,揭示其思想内容和艺术形式上鲜明的现代性特征,并进一步探究形成这一特征的原因。
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| 关 键 词： | 阐释角度 现代性 女神 思想内容 艺术形式 |
| 文章编号： | 1671-7546(2002)04-0090-08 |
| 修稿时间： | 2002-05-10 |
On the Modernity Impress of the Goddess |
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| PENG Yu-bin. On the Modernity Impress of the Goddess[J]. , 2002, 1(4): 90-97 |
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| Authors: | PENG Yu-bin |
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| Abstract: | Undoubtedly, the modernity that has been introduced into literature research endows literature a totally new point of view. Meanwhile, it supplies literature research with a vast explaination space. Through re-reading the famous poetry antrology the Goddess under the modernity frame of reference, this paper are supposed to disclose the distinct modernity impress in its ideological contents as well as in its artistic forms, and probe the reasons for the formation of such a feature. |
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| Keywords: | explanation point of view modernity the Goddess ideological contents artistic forms |
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