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| 楚艺术与原始艺术之比较 | |
| 引用本文： | 陈龙海. 楚艺术与原始艺术之比较[J]. 中南民族大学学报(人文社会科学版), 2005, 25(3): 143-146 |
| 作者姓名： | 陈龙海 |
| 作者单位： | 华中师范大学,文学院,湖北,武汉,430079 |
| 摘 要： | 本文从三个方面论证了楚艺术与原始艺术有着一脉相承的血缘关系:以线条为主的生动造型、怪诞诡谲的形象组合和以红色作为主色调.文章认为,其生成原因在于楚国特殊的生活形态、尚巫好祀的复苏和南方的地域环境. |
| 关 键 词： | 楚艺术 原始艺术 线条 怪诞 红色 |
| 文章编号： | 1672-433X(2005)03-0143-04 |
| 修稿时间： | 2004-04-18 |
Being in the Same Strain-A Comparison between Art in Ancient Chu State and That in Ancient Times |
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| CHEN Long-hai. Being in the Same Strain-A Comparison between Art in Ancient Chu State and That in Ancient Times[J]. Journal of South-Central University for Nationalities:Humanities and Social Science, 2005, 25(3): 143-146 | |
| Authors: | CHEN Long-hai |
| Abstract: | Art in ancient Chu state and that in ancient times are in the same stream. This paper expounds this from three aspects-the vivid modeling relying mainly on lines, unique image creation and the red tone. The causes of it lie in the unique life style in Chu state, advocating of witchcrafts and the regional environment in south China. |
| Keywords: | art in ancient Chu state primitive art line uniqueness red |
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