| 散文诗的文体地位 |
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| 引用本文： | 黄永健.散文诗的文体地位[J].深圳大学学报(人文社会科学版),2004,21(5):92-95. |
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| 作者姓名： | 黄永健 |
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| 作者单位： | 深圳大学文学院,广东,深圳,518060 |
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| 摘 要： | 散文诗既非自由分行新诗,又非现代散文。散文诗已经发展成为现代社会一种具有现代审美价值和特殊质性构成的独立文类。可以从共时文体学和历时文体学两个视角考察散文诗的独立性,并从中发现其文体史的特殊地位。
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| 关 键 词： | 散文诗 文体 自由分行新诗 现代散文 |
| 文章编号： | 1000-260X(2004)05-0092-04 |
| 修稿时间： | 2004年1月10日 |
The Stylistic Position of Prose Poetry |
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| HUANG Yong,jian.The Stylistic Position of Prose Poetry[J].Journal of Shenzhen University(Humanities & Social Sciences),2004,21(5):92-95. |
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| Authors: | HUANG Yong jian |
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| Abstract: | Prose poetry means neither line-by-line new poems, nor modern prose. Prose poetry has already been developed into an independent genre with a modern aesthetic value and distinctive composition of artistic quality. An inspection of the independent nature from the two perspectives of both synchronic and diachronic stylistics and a demonstration of its special position in the history of stylistics are beneficial to the flourishing of its creation and to the deep-going and wide-ranging development of the discourse in the contemporary theories of poetry. |
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| Keywords: | prose poetry style line-by-line free new poetry modern prose |
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