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明代民歌的地域特征和演进轨迹
引用本文:周玉波.明代民歌的地域特征和演进轨迹[J].盐城师范学院学报,2003,23(3):29-34.
作者姓名:周玉波
作者单位:南京师范大学文学院 江苏南京210097
摘    要:与南北朝乐府不同 ,明代北方民歌除了在初始时期对南方民歌具有导引的作用外 ,其后便很少受到人们的关注 ,而且南、北方民歌的分野 ,不是十分明显。但是 ,李梦阳“真诗在民间”的理论 ,离不开“汴省时曲”的启发 ;广为人知的《挂枝儿》等吴歌 ,也原是“北人长技”。事实上 ,在“人情”的共同作用下 ,南、北方民歌步调一致地对旧传统发起了强烈的冲击

关 键 词:明代民歌  地域特征  演进轨迹
文章编号:1003-6873(2003)03-0029-06
修稿时间:2003年3月12日

The Regional Features and Evolutional Track of the Folk Songs of the Ming Dynasty
ZHOU Yu-bo.The Regional Features and Evolutional Track of the Folk Songs of the Ming Dynasty[J].Journal of Yancheng Teachers College(Humanities & Social Sciences Edition),2003,23(3):29-34.
Authors:ZHOU Yu-bo
Abstract:Different from the folk songs in the Northern and Southern Dynasties ,t he folk songs in North China of the Ming Dynasty,with the exception of their ear ly period of development when they played the role of guidence for South China f olk songs ,seldom attracted people's attention later.Moreover there is not any c lear difference between the folk songs of North China and South China.As a matte r of fact ,under the universal influence of humanity ,both the northern and sout hern folk songs very coordinately launched fierce attacks on old traditons.
Keywords:folk songs of the Ming Dynasty  regional featu res  evolutional track  
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