| 谈《神曲》的现代性 |
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| 引用本文： | 杜圣明. 谈《神曲》的现代性[J]. 中南民族大学学报(人文社会科学版), 2007, 27(2): 159-162 |
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| 作者姓名： | 杜圣明 |
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| 作者单位： | 宿迁学院工会 江苏宿迁223800 |
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| 摘 要： | 在中世纪与近代文化交界地带,但丁面对内在外在的价值纷乱,在其长诗《神曲》中完成了一次终极追寻。《神曲》包孕着人生永恒的矛盾与困惑,包孕着但丁对这种矛盾与困惑的深邃思考和探索。本文主要从现代读者角度出发,从社会、文化、艺术(形式)三方面去诠释《神曲》与现代主义文学之间的联系。
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| 关 键 词： | <神曲> 现代主义文学 社会 文化 艺术 |
| 文章编号： | 1672-433X(2007)02-0159-04 |
| 修稿时间： | 2006-10-16 |
On Contemporariness of Divina Commedia |
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| DU Sheng-ming. On Contemporariness of Divina Commedia[J]. Journal of South-Central University for Nationalities:Humanities and Social Science, 2007, 27(2): 159-162 |
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| Authors: | DU Sheng-ming |
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| Abstract: | Faced with the internal and external disorder,Dantes finished one eternal pursuit in his Divina Commedia in the turning point of Middle Ages and Modern Ages.Divina Commedia implies Dantes' profound thought and exploration concerning the permanent contradictions and embarrassment.The paper explains the relationship between Divina Commedia and modern literature in the social,cultural and artistic way in the angle of Modern readers. |
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| Keywords: | Divina Commedia modernist literature society culture art |
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