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论郭沫若抗战史剧创作的情感体验性原则
引用本文:王小强.论郭沫若抗战史剧创作的情感体验性原则[J].中国海洋大学学报(社会科学版),2012(2):118-123.
作者姓名:王小强
作者单位:中国海洋大学文学与新闻传播学院,山东青岛,266100
基金项目:山东省教育厅项目,感谢中国海洋大学青年教师科研专项基金的支持
摘    要:基于文艺的情感本质认识,郭沫若在抗战史剧的题材处理中,特别强调了情感的意义,从而形成了一种历史题材处理的原则,即情感体验性原则。遵循这一原则,在他的抗战史剧题材处理中,普通生活情感体验、"革命受难"压抑性情感体验、文化战斗激情等情感因素对史剧题材处理有着重要意义,对他史剧的浪漫主义风格形成也起到了根本作用。对于这一原则,郭沫若在他的史剧创作理论中将之总结为"兴"的史剧创作方法。

关 键 词:郭沫若  历史剧  情感体验性原则

The Principle of Emotional Experience in Guo Moruo's Historical Drama Writing
Wang Xiaoqiang.The Principle of Emotional Experience in Guo Moruo's Historical Drama Writing[J].Journal of Ocean University of China,2012(2):118-123.
Authors:Wang Xiaoqiang
Institution:Wang Xiaoqiang(College of Liberal Arts,Journalism and Communication,Ocean University of China,Qingdao 266100,China)
Abstract:Based on the view that "the essence of the art is emotions",Guo put a special emphasis on the significance of emotions in the theme processing of his historical dramas created during the Anti-Japanese war.Thus a principle was formed in his historical themes,that is,the principle of emotional experience.In accordance with this principle,the emotional experience in ordinary life,emotions repressed in revolution and cultural passion played an important role in his writing.This also contributed to the formation of his romantic style.Guo summed up this principle as "Xing" in his theory of historical drama writing.
Keywords:Guo Moruo  historical drama  the principle of emotional experience
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