《诗源辩体》中唐诗论产生的时代背景与理论渊源

明代诗学的主体是唐诗学,晚明时期唐诗学进入整理、融合时代。产生于晚明的《诗源辩体》不是一部专论唐诗的著作,但全书主体却是唐诗研究。其唐诗理论不是许学夷所独创,而是与前代、同时代诗论有着深厚渊源;不仅包括《文心雕龙》、《沧浪诗话》、《艺苑卮言》、《诗薮》,更包括公安派、竟陵派的诗学理论。正是在融汇众家的基础上,《诗源辩体》中的唐诗理论成为了有明一代唐诗理论的总结之作。

The Era Background and Theoretical Origin of the Theories of the Poetry of the Tang Dynasty in Shiyuan Bianti

The main body of poetics of the Ming Dynasty is the studies of the poetry of the Tang Dynasty,which was sorted and coalesced in the late Ming Dynasty.Shiyuan Bianti,compiled in the late Ming Dynasty,though is not a work discussing poetry of the Tang Dynasty,its main body is to study the poetry of this period.The theories were not created exclusively by Xu Xueyi,but had the same origin with the poetic theories of the former and contemporary times,the works included The Literary Mind and the Carving of Dragons,Canglang Poetry Talks,Yiyuan Zhiyan,and Shisou,and the poetic theories of the schools of Gong＇an and Jingling.It was on the foundation of integrating various kinds of ideas that the theories of the poetry of the Tang Dynasty in Shiyuan Bianti became a summary of poetic theories of the Ming and Tang Dynasties.