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| 佛教浸润与“永明体”诗的缘起 | |
| 引用本文： | 李红梅. 佛教浸润与“永明体”诗的缘起[J]. 贵州工业大学学报(社会科学版), 2005, 7(4): 81-83 |
| 作者姓名： | 李红梅 |
| 作者单位： | 苏州大学文学院外国文学与比较文学中心,江苏,苏州,215012 |
| 摘 要： | "永明体"是我国古代诗歌在艺术形式上从天籁偶合的原始状态,向成熟严整的自觉艺术创造转化的一个重要标志,它与前代诗歌的显著不同是其对汉字"四声"的规律自觉运用,永明体诗歌在南北朝时期的出现与该时期佛教文化的影响是紧密相关的. |
| 关 键 词： | 永明体 四声 转读 |
| 文章编号： | 1009-0509(2005)04-0081-03 |
| 修稿时间： | 2005-04-15 |
The Influence of Buddhism and the Origin of Yongming-style Poetry |
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| LI Hong-mei. The Influence of Buddhism and the Origin of Yongming-style Poetry[J]. Journal of Guizhou University of Technology(Social Science Edition), 2005, 7(4): 81-83 | |
| Authors: | LI Hong-mei |
| Abstract: | The Yongming-style Poetry is an important symbol of old Chinese poetry that has been evolved from the original state to the mature state in the style. The conscious use of the four tones of classical Chinese phonetics is the brilliant character of the Yongming-style Poetry.The influence of Buddhism in Nanbei Dynasty contacted tightly with the Origin of Yongming-style Poetry. |
| Keywords: | the Yongming-style Poetry the four tones changing-reading |
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