| 蔡邕论书法艺术的“形势”与“神妙”解读 |
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| 引用本文： | 易俊.蔡邕论书法艺术的“形势”与“神妙”解读[J].湖南人文科技学院学报,2012(1):90-92. |
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| 作者姓名： | 易俊 |
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| 作者单位： | 湖南人文科技学院美术系,湖南娄底,417000 |
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| 摘 要： | 蔡邕的书法美学思想对书法实践有着特殊的现实意义和指导意义。书法艺术蕴含着结构("形势")特征和形式美("神妙")特征。"形势"的构成一方面与书法艺术的间架结构有关,另一方面和书法艺术的用笔有关。"神妙"的构成与书法艺术形式美特征有关。
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| 关 键 词： | 蔡邕 书法美学思想 “形势”与“神妙” |
Interpretation on Cai Yi's Comments on "Situation" and "Wonders" of Calligraphic Arts |
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| YI Jun.Interpretation on Cai Yi's Comments on "Situation" and "Wonders" of Calligraphic Arts[J].Journal of Hunan Institute of Humanities,Science and Technology,2012(1):90-92. |
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| Authors: | YI Jun |
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| Institution: | YI Jun(Department of Fine Arts,Hunan Institute of Humanities,Science and Technology,Loudi 417000,China) |
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| Abstract: | Cai Yi’s calligraphy aesthetics ideas have special reality meaning and guiding significance in calligraphy practice.Calligraphic art contains the features of structure and beauty in form.The construction of situation;on one hand,is connected with the structure of calligraphic art;on the other hand,is connected with the way of brush.The marvelous construction is connected with the feature of beauty of form in calligraphic art. |
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| Keywords: | Cai Yi calligraphy aesthetics calligraphy teaching structure and style situation and wonders |
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