| 新时期美学发展格局:一枝独秀与多元共存——兼评“丢弃论”和“不是论” |
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| 引用本文： | 张玉能.新时期美学发展格局:一枝独秀与多元共存——兼评“丢弃论”和“不是论”[J].汕头大学学报(人文社会科学版),2009,25(1):5-9. |
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| 作者姓名： | 张玉能 |
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| 作者单位： | 华中师范大学文学院,湖北,武汉,430079 |
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| 摘 要： | 新时期美学发展格局呈现出由一枝独秀到多元共存的发展态势:实践美学在20世纪50—60年代的美学大讨论之中脱颖而出,在20世纪80年代的"美学热"之中逐步成为主导流派;90年代的实践美学与后实践美学的论争使得中国当代美学的发展出现了多元共存的格局,各种美学流派在理论建构方面进行着努力探索和研究。实践美学在这种探索和研究之中走向了新实践美学。在今后的美学发展中,新实践美学以实践唯物主义为指导,全面吸收中西美学优秀遗产,在实践美学发展的雄厚基础上,一定会在中国当代美学百花丛中笑迎新春。
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| 关 键 词： | 新时期美学 发展格局 一枝独秀 多元共存 |
Aesthetic Developmental Configuration of New Stage:From Only School Dominating to Multiple Schools Co-existing |
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| ZHANG Yu-neng.Aesthetic Developmental Configuration of New Stage:From Only School Dominating to Multiple Schools Co-existing[J].Journal of Shantou University(Humanities Edition),2009,25(1):5-9. |
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| Authors: | ZHANG Yu-neng |
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| Institution: | College of Chinese Language and Literature;Central China Normal University;Wuhan;Hubei 430079 |
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| Abstract: | The aesthetic developmental configuration of New Stage presents developmental situation with the shift being from only one school dominating to multiple schools co-existing.The practice aesthetics appeared in the process of the heated aesthetic discussion in the 1950's-1960's and turned into a leading school in "aesthetic boom" in the 1980's.The controversy between the practice aesthetics and the post-practice aesthetics in the 1990's gave rise to the configuration with multiple aesthetic schools in co-exis... |
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| Keywords: | aesthetics of New Stage developmental configuration only one school dominating multiple schools co-existing |
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