| 性别视角:清代侠义小说的新景观 |
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| 引用本文： | 王昕.性别视角:清代侠义小说的新景观[J].求是学刊,2010,37(1). |
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| 作者姓名： | 王昕 |
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| 作者单位： | 中国人民大学文学院,北京,100872 |
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| 基金项目： | 2008年度中国人民大学基金项目"话本小说文体与编创方式研究";项目 |
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| 摘 要： | 文体上,清前期的剑侠女性沿袭了唐人小说的叙事手法,蒲松龄用传奇法而以志怪,使这类形象更具可塑性.清末侠女形象渐与烟花粉黛合流.章回小说的侠女分为"英雄儿女类"小说的佳人化侠女与"英雄传奇类"小说中的妖寒女子.她们的社会身份和性别特质,决定了小说的情节模式和婚姻主题.清代小说显示了从剑侠向女性气质和传统的性别角色回归的趋势,明清社会妇德观的改变是人物演化的深层原因.
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| 关 键 词： | 性别视角 清代小说 侠女 |
Gender Perspective:A New View of Errantry Novels in Qing Dynasty |
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| WANG Xin.Gender Perspective:A New View of Errantry Novels in Qing Dynasty[J].Seeking Truth,2010,37(1). |
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| Authors: | WANG Xin |
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| Institution: | WANG Xin (School of Literature,Renmin University of China,Beijing 100872,China) |
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| Abstract: | Woman errantry in Chinese classical and vernacular novels has different origins with the former being the successor of scholar tradition of novels of Tang Dynasty and the latter influenced by the type of black art character of Song Dynasty. Stylistically,woman errantry in early Qing Dynasty follows the narrative of Tang Dynasty and the legendary method of PU Song-ling characterized by its grotesqueness,which possesses plasticity. Method of carrying out heroic action changes from feat to those woman quality ... |
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| Keywords: | gender perspective novels of Qing Dynasty woman errantry |
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