| 艾青“诗的散文美”概念分析 |
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| 引用本文： | 陈增福. 艾青“诗的散文美”概念分析[J]. 浙江师范大学学报(社会科学版), 2010, 35(4): 17-21 |
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| 作者姓名： | 陈增福 |
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| 作者单位： | 通化师范学院,中文系,吉林,通化,134002 |
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| 摘 要： | 本文着眼于艾青关于诗的具体言论,从四个方面阐论了艾青文体论的核心概念——诗的散文美：即新诗与韵文无关;新诗的语言根本是在于表达形象的;新诗的音韵与语言形象表达的关系;＂散文美＂与＂诗的散文美＂的关系。文章最后总结出艾青的＂诗的散文美＂的具体含义。
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| 关 键 词： | 艾青 诗的散文美 文体 |
An Analysis of Ai Qing's Concept of "Poetry as Beautiful Prose" |
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| CHEN Zeng-fu. An Analysis of Ai Qing's Concept of "Poetry as Beautiful Prose"[J]. Journal of Zhejiang Normal University:Social Sciences, 2010, 35(4): 17-21 |
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| Authors: | CHEN Zeng-fu |
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| Affiliation: | CHEN Zeng-fu(Department of Chinese Language and Literature,Tonghua Teachers College,Tonghua 134002,China) |
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| Abstract: | This paper,focusing on Ai Qing＇s opinions on poetry,formulates his essential stylistic concept-poetry as beautiful prose in terms of four aspects,i.e.,the new poetry（the free vernacular verse rising in modern China） has nothing to do with the traditional metrical poetry;the new poetry uses its language for expressing its imagery;the metrics and rhymes of the new poetry are closely related to the imagery it depicts,and ＂poetry as beautiful prose＂ correlates highly with ＂beautiful prose＂.It then summarizes the specific connotations of Ai＇s concept of ＂poetry as beautiful prose＂. |
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| Keywords: | Ai Qing（1910-1996） poetry as beautiful prose stylistics |
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