| 沉潜中的灵魂——论“中间代”诗歌的艺术向度 |
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| 引用本文： | 邵波,曹亭.沉潜中的灵魂——论“中间代”诗歌的艺术向度[J].南京理工大学学报(社会科学版),2011,24(1):26-30. |
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| 作者姓名： | 邵波 曹亭 |
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| 作者单位： | 南开大学,文学院,天津,300071 |
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| 基金项目： | 国家社会科学基金项目“‘个人化写作’——1990年代先锋诗学的建构与对话”(08BZW065)的阶段性成果 |
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| 摘 要： | 1990年代以降，由于“中间代”诗人和研究者共同的努力，“中间代”诗歌也逐步走出历史的遮蔽，以丰富多样的文本世界吸引住诗坛的目光。他们秉承诗歌艺术的多元化旨向，拓宽了“及物”写作的表现空间，以口语语感的平滑流动，描摹日常生活的意趣，并汲取各种文体的优长，打造圆润、纯熟的诗艺理想。
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| 关 键 词： | “中间代”诗歌 口语化 包容性 |
Soul in the Stillness: On the Artistic Dimensions of "Middle Generation" Poetry |
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| SHAO Bo,CAO Ting.Soul in the Stillness: On the Artistic Dimensions of "Middle Generation" Poetry[J].Journal of Nanjing University of Science and Technology(Social Science),2011,24(1):26-30. |
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| Authors: | SHAO Bo CAO Ting |
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| Institution: | SHAO Bo,CAO Ting(Liberal Department,Nankai University,Tianjin,300071) |
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| Abstract: | From the 1990s on,with a rich variety of texts,the middle generation poetry gradually emerged from obscurity and drew public attention,thanks to the mutual efforts of the middle generation poets and researchers.Following diversified poetic orientations,they broaden the performance space of physical writing,and trace beauty in daily life with a smooth flow of colloquial language.They also take the advantages of different styles to realize their tender,mellow and pure poetic ideal. |
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| Keywords: | middle generation poetry colloquial inclusiveness |
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