| 诗学理论从“意象”到“意境”的发展——兼论二者的审美差异 |
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| 引用本文： | 张中成.诗学理论从“意象”到“意境”的发展——兼论二者的审美差异[J].中国矿业大学学报(社会科学版),2005,7(3):129-132. |
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| 作者姓名： | 张中成 |
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| 作者单位： | 盐城工学院,江苏,盐城,224003 |
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| 摘 要： | 意象和意境是古典诗学理论中两个重要的审美范畴.从发展角度看,先有意象后有意境;从审美差异看,意境丰富和发展了意象的审美内涵,成为批评的重要标准之一.
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| 关 键 词： | 意象 意境 发展 审美 差异 |
| 文章编号： | 1009-105X(2005)03-0129-04 |
| 修稿时间： | 2005年6月7日 |
Development from Image to Artistic Conception in Poetic Theory |
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| ZHANG Zhong-cheng.Development from Image to Artistic Conception in Poetic Theory[J].Journal of China University of Mining & Technology(Social Sciences),2005,7(3):129-132. |
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| Authors: | ZHANG Zhong-cheng |
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| Abstract: | Aesthetic appreciation has the following two major aspects in the theory of classical poetry: image and artistic conception.In terms of development sequence,image goes before artistic conception;in terms of difference in aesthetic appreciation,artistic conception enriches and extends the connotation of image,thus becoming a main norm of criticism. |
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| Keywords: | image artistic conception development aesthetic appreciation difference |
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