| 论南阳汉代画像石刻艺术 |
| |
| 引用本文： | 曹洞颇.论南阳汉代画像石刻艺术[J].郑州大学学报(哲学社会科学版),2001,34(4):61-63. |
| |
| 作者姓名： | 曹洞颇 |
| |
| 作者单位： | 郑州大学,文化与传播学院,河南,郑州,450052 |
| |
| 摘 要： | 汉代先民以其独特的审美意识,找到并运用了构成气势美、稚拙美、韵律美等图式语言,创造出了南阳汉代画像石刻的深沉雄大、粗犷劲挺、古朴稚拙、单纯厚重、简洁明豁等独特的艺术风格.同时,这些汉代工匠艺术家们还以他们诙谐幽默的内在气质,赋予南阳汉代画像石刻以清新旺盛的生命活力及天真直率的浪漫主义气息的审美品格.
|
| 关 键 词： | 画像石刻 气势 稚拙 神似 韵律 |
| 文章编号： | 1001-8204(2001)04-0061-03 |
| 修稿时间： | 2000年12月6日 |
On Art of Sculptures on Stone of Han Dynasty in Nanyang |
| |
| CAO Dong,po.On Art of Sculptures on Stone of Han Dynasty in Nanyang[J].Journal of Zhengzhou University(Philosophy and Social Science Edition),2001,34(4):61-63. |
| |
| Authors: | CAO Dong po |
| |
| Abstract: | The forebears lived in Han Dynasty Created drawing language and used it to form estheticism of majesty,naive and prosody of art of stone sculpting.This drawing language manifests the forebears' esthetical consciousness which is magnificent.Sculptures of Han Dynasty in Nanyang Show us a kind of art stule,which is deep,unsophisticated,simple,thick and concise.The ancient sculptors endowed the sculptures fresh vitality and romantic esthetical character,which revealed inner temperament of humour of the sculptors. |
| |
| Keywords: | Sculptues Magnificent Naive Prosody vitality |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
