| 审美现代性视域中的梁启超美学 |
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| 引用本文： | 徐迎新.审美现代性视域中的梁启超美学[J].辽宁大学学报(哲学社会科学版),2011,39(1):48-52. |
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| 作者姓名： | 徐迎新 |
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| 作者单位： | 辽宁大学,文学院,辽宁,沈阳,110036 |
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| 基金项目： | 辽宁省教育厅文科基地项目 |
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| 摘 要： | 救亡、启蒙是中国现代美学形成发展的内在动力,也是近代以来中国社会特有的文化表征。梁启超美学不是在学院派话语系统中进行着美学言说,但其社会人生思想却同中国美学的近代化进程形成内在的暗合与呼应,代表着中国美学现代性话语的社会化表述。
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| 关 键 词： | 梁启超 审美现代性 新人理念 趣味主义 全民“美术人” |
Aesthetic Modernity and Liang Qichao's Aesthetics |
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| XU Ying-xin.Aesthetic Modernity and Liang Qichao's Aesthetics[J].Jounal of Liaoning University(Philosophy and Social Sciences Edition),2011,39(1):48-52. |
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| Authors: | XU Ying-xin |
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| Institution: | XU Ying-xin(College of Literature,Liaoning University,Shenyang 110036,China) |
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| Abstract: | National salvation and enlightenment are not only the internal dynamics of the formation and development of modern Chinese aesthetics,but also the cultural features of modern Chinese society.Liang Qichao's aesthetics is not in the system of academic discourse,but its ideas about social life conform with the modernization of China's aesthetics,symbolizing the social characteristics of Chinese aesthetic discourse of modernity. |
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| Keywords: | Liang Qichao aesthetic modernity the conception of modern people taste-oriented aesthetic thought |
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