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中国画的空白艺术
引用本文:马琳琳.中国画的空白艺术[J].东华理工学院学报,2009,28(4):362-364.
作者姓名:马琳琳
作者单位:东华理工大学,文法与艺术学院,江西,抚州,34000 
基金项目:2009年东华理工大学校长基金科研项目 
摘    要:晚唐张彦远在《历代名画记》中提出了“白画”的名称,实际上这是从理论角度认识到了留白在画面中的独特作用和价值。中国画除笔、墨、色彩之外在画面上或多或少地留下一些空白,在中国画中称这些空白为“留白”。可以看出,绘画的空白早已被巧妙地运用于画面的组织结构中了,它是画家用笔用墨精心安排留的空白,是构成中国画形式美的重要因素,也是建立在中国美学基础之上的审美观念的产物。

关 键 词:留白  中国画形式美  美学基础  审美观念

Blankness Art of Chinese Painting
MA Lin-lin.Blankness Art of Chinese Painting[J].Journal of East China Institute of Technology,2009,28(4):362-364.
Authors:MA Lin-lin
Institution:MA Lin-lin (College of Chinese Law and Arts,East China Institute of Technology,Fuzhou 344000,China)
Abstract:In the late Tang Dynasty,Zhang yan-yuan put forward the name of white paint in Chronological Famous Paintings.It is actually a recognition of the unique role and value of the blank space from a theoretical point of view.Besides brush,ink and color on the screen,the traditional Chinese painting,more or less,has left some gaps in the screen,and in the Chinese paintings these gaps are called blank. We can see that a blank painting has long been skillfully applied to the organizational structure of the screen.I...
Keywords:blankness  formal beauty of Chinese painting  aesthetics foundation  aesthetic concepts  
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