山水画风格苍润秀雅的"明四大家"

明代中期,由于江南商品经济的发展.苏州的市民阶层和有钱有闲的阶层剧增,他们需要大批的绘画装点门面,这无疑刺激了苏州--吴门山水画的发展.以沈周、文徵明、唐寅、仇英为代表的"吴门四家"的出现,不仅打破了"院体"和"浙派"垄断画坛的局面,而且标志着明代绘画独立面貌的形成.

Four Great Masters of Ming Dynasty Who Stylized as Dark Green Embellishment and Elegance in Landscape Painting

In the middle period of Ming dynasty reign, with the development of economy in Su Zhou town city, Which located in Southern Yangtze area, many civil, rich and powerful people appeared.And large quantities of calligraphy and paintings for putting up their facades were badly demanded by them, Which doubtlessly stirred up the development of landscape painting of Wu school. The appearance of four masters of Wu school, chose Shen Zhou, Wen Zheng ming, Tang Yin and Qiu Ying as its prominent representatives, not only broke the aspect in painting circle monopolized by academic style and Zhe School but also symbolized the formation of the feature of painting in Ming dynasty.