从孟紫芝形象看《镜花缘》的女性意识

《镜花缘》是李汝珍呕心沥血创作出的一部以女性为主角,关乎女性问题的小说,书中叙述了由“百花贬谪为百女和复唐灭周的两重因缘关系”[1]2构成的奇幻故事,塑造了千姿百态的女性形象,构筑出一个全新的女性世界。作者大胆赞扬女性的才华,否定了“女子无才便是德”的封建传统思想,对女性在社会生活中的角色重新定位,反映出作者较为进步的女性意识。其中作为“笑靥花”谪世的孟紫芝以自己独特的性格特点,推动着故事情节的发展,闪耀着女性解放意识的光辉。

The Study on Female Consciousness of Jinghuayuan from Meng Zizhi Image

Jinghuyuan is a novel written by Li Ruzhen. He worked hard to create a fiction on women and that madewomen as the leading role. The novel described many fantasy stories mainly including the dual causal relationshipsthat hundreds of flower goddesses were relegated as common women who had to live in the ecular world and thethought of restoring Tang Dynasty and overthrowing Zhou Dynasty, shaped a variety of female images and built awhole new women''s world. The author boldly praised women''s talent, denied the traditional feudal thoughts thatinnocence was the virtue for women and redefined the role of women in social life. All these things mentioned abovereflect the comparatively progressive female consciousness of the author. Meng Zizhi, relegated as "happy flowergoddess", has her unique characteristics. She promotes the development of the plot in the novel and shines with thebrilliance of the consciousness of women''s liberation.