唐前对宫体诗的批评

在初唐史学家和“四杰”、陈子昂等人批评南朝文学之前,宫体诗已经经受了五次批评。它们分别发生在:宫体得名之初、梁末侯景之乱时、陈代何之元编纂《梁典》时、隋代李鄂上书高祖革除浮华表和王通著《中说》时。但五次批评都未对宫体诗的创作产生直接而显著的影响。究其原因,在于以下两点:整个社会盛行以宫体为代表的文风、批评者既无理论创新又无创作实绩。但唐前批评也逐渐出现了新气象,已经由单纯批评宫体和宫体诗人转变到批评整个汉魏六朝以来的文学创作,带有追根究底的性质。这种批评方法为初唐南北文化融合时批判继承南朝文学积累了经验。

Criticism on the Poem of Gong Ti before the Tang Dynasty

Before the writing style of the South Dynasty(AD.420-589)was commented by historians,four famous litterateurs and Chen Zi-ang in the prophase of the Tang Dynasty,the poem of gong ti had already been commented for four times.Those comments were made respectively when the poem of Gong Ti was named,the rebellion was led by Hou-Jing in the late Liang Dynasty,the history of the Liang Dynasty was compiled by He Zhi-yuan and a letter was written to Gao Zu of the Sui Dynasty by Li E about prohibiting the exuberant writing style.But the comments of four times do not evidently influence Gong Ti poem because the critics neither make some theoretical innovation,nor produce some good poems.But new phenomenon comes in to being that comments are made not only on the poem and poets of Gong Ti but also on the writing style after the Han and Wei Dynasties,which is helpful to critically inherit the literature of the South Dynasty in the prophase of the Tang Dynasty.