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从生成史略论《水浒传》的主题
引用本文:郭振勤.从生成史略论《水浒传》的主题[J].汕头大学学报(人文社会科学版),1993(3).
作者姓名:郭振勤
摘    要:本文从《水浒传》生成史的角度,将《水浒传》的成书和作品主题的嬗变联系起来,论证梁山故事在流传过程中不断出现的传奇色彩和归正倾向。它是封建社会全社会被压迫者与有志之士的反抗与追求的“交响曲”,是对封建社会后期现实的一种“全景式的综合反映”。

关 键 词:主题  生成史  传奇性  归正倾向

Viewing the Theme of Shuihu Zhuan(Water Margin)from the History of Its Making
Guo Zhenqin.Viewing the Theme of Shuihu Zhuan(Water Margin)from the History of Its Making[J].Journal of Shantou University(Humanities Edition),1993(3).
Authors:Guo Zhenqin
Institution:Guo Zhenqin
Abstract:This paper, viewing Shuihu Zhuan (Water Margin) from the angle of the his- tory of its making, links up the transmutation of its theme with the course of its completion, and demonstrates that the constant emergency of both romantic flavour and the tendency to return to loyal subordinates during the course of dissemination of the greenwood stories is in fact a "symphony" consisting of rebellion and pursuit embarked upon by all the oppressed and the lofty-minded in the feudal society, and is a "panoramic comprehensive reflection" of the reality of the later stage of China's feudal era.
Keywords:theme  history of making  romantic nature  the tendency to return to loyal subordinates
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