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古典家具的“分”与“融”对现代设计的启示
引用本文:张晓利.古典家具的“分”与“融”对现代设计的启示[J].江苏石油化工学院学报(哲学社会科学版),2014(3):82-85.
作者姓名:张晓利
作者单位:黄山学院艺术学院,安徽黄山245041
基金项目:安徽省教育厅质量工程项目(2012jyxm498);安徽省黄山学院校本科教材建设项目(2012XBJC02)
摘    要:弃“席”而“坐”居住方式的重大变革是中国古典家具“分”与“融”的主要根源。以楚式家具、宋式家具、明清家具为代表,在矮型家具向高型家具的演变进程中,家具突显出在功能、阶级风格上的“分离”和以消除与居住方式的分歧为目的的式样上的“融合”。其中的“分”与“融”,对现代设计中如何把握产品功能、设计元素、品牌文化的“取”“舍”尺度问题具有重要启示。

关 键 词:古典家具  居住方式  分离与融合  取舍尺度

The “Separation”and “Integration”of Classical Furniture and Its Enlightenment to Modern Design
Authors:ZHANG Xiao-li
Institution:ZHANG Xiao-li ( Art College, Huangshan University, Huangshan 245041, China)
Abstract:The major change in the way of living to abandon the “seats”in favor of“sit”is the main root of the“separation”and “integration”of China classical furniture.In the evolution process of Chinese classical furniture from short ones to high ones,with Chu style furniture,Song style furniture and the furniture of Ming and Qing Dy-nasties as its representatives,it highlights the “separation”of the function and class style and the “integration”of styles to eliminate the differences between itself and the mode of living,which has important enlightenment for the modern design,that is how to grasp product functions,design elements and the scale of“acceptance”or “rejec-tion”of brand culture.
Keywords:classical furniture  way of living  "separation" and "integration"  scale of "acceptance" or "rejec-tion"
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