| "冲行"与"神遇"——海德格尔与石涛艺术创作论核心之比较 |
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| 引用本文： | 郝文杰."冲行"与"神遇"——海德格尔与石涛艺术创作论核心之比较[J].湖北大学学报(哲学社会科学版),2002,29(6):69-72. |
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| 作者姓名： | 郝文杰 |
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| 作者单位： | 南京艺术学院,江苏,南京,210013 |
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| 摘 要： | 海德格尔在《艺术作品的本源》中提出了真理冲行创作论,石涛在《画语录》中把神遇作为创作核心论,尽管两者有着中西传统文化异质精神,但具体论述的内涵却有对话和相通的可能因素。本文拟从创作实际情况出发,对较为抽象的理论形态给以解构和比较,旨在阐明“真我”与“真画”之间的重要关系。
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| 关 键 词： | 海德格尔 石涛 真理 冲行 真画 |
| 文章编号： | 1001-4799(2002)06-0069-04 |
| 修稿时间： | 2001年12月18 |
Thrust and shenyu--Heidegger and Shi Tao:Kernel Problems of Art Creation |
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| HAO Wen-jie.Thrust and shenyu--Heidegger and Shi Tao:Kernel Problems of Art Creation[J].Journal of Hubei University(Philosophy and Social Sciences),2002,29(6):69-72. |
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| Authors: | HAO Wen-jie |
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| Abstract: | In order to explain the core of art Creation,Heidegger put forward the thrust of truth in his famous"the Origin of the work of Art",Chinese Mr.Shi Tao advanced a proposal called"shenyu"in the hua Yu Lu.The two theories have traditional Spiritual characteristics of their own,but they have much in common in context.In the standpoint of how creation works,the another tries to explain the two difficult and abstract theories and compare the impotant relations between what the painter is and what the paint is really like. |
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| Keywords: | Heidegger Shi Tao truth thrust paint |
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