| 宋代教坊正乐与宫廷演剧之俗谐化 |
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| 引用本文： | 丁淑梅. 宋代教坊正乐与宫廷演剧之俗谐化[J]. 东南大学学报(哲学社会科学版), 2010, 12(6) |
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| 作者姓名： | 丁淑梅 |
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| 摘 要： | 宋代乐制的更革,带来宫廷伎乐及演剧活动的频盛,民间伎艺及杂戏杂剧不断输入宫廷。考察宋代制乐设官、正乐禁戏的过程,可以看出,宋代宫廷乐制的更革与官方用乐的种种规制,虽然对两宋戏剧撰演合一的发展态势产生了一定影响,但其中有抑制和束缚,也有推助和促动,需要仔细分辨;而教坊的立废、钧容直的蠲省,却在一定程度上促进了宋杂剧演出在宫廷与民间的互动,从而推动了宋代戏剧史民间化、俗谐化的发展趋势。
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| 关 键 词： | 宋代教坊 正乐 宫廷演剧 俗谐化 |
The popular tendency of official music and court play in Song Dynasty |
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| DING Shu-mei. The popular tendency of official music and court play in Song Dynasty[J]. Journal of Southeast University(Philosophy and Social Science ), 2010, 12(6) |
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| Authors: | DING Shu-mei |
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| Abstract: | A series of innovations in the Song music system brought about the prosperity of court music and play performance.Folk music and operas began to appear on the court stage.The innovations also produced influence on the unification of playwriting and performance in the Song dynasty.The abolishment of the Imperial Music Office and the Military Band promoted to some extent the development of zaju opera both in the court and among the people,which consequently resulted in the popular tendency of official music and court play in the Song dynasty. |
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